The Dunce Cap: August 30, 2010

in: heavy rotation

The Dunce Cap, Vol. 22: I guess he’s an X-box and I’m more Atari. (click on link to listen to mix via 8tracks)

1. “Fuck You” – Cee-Lo Green
2. “Teenage Dream” – Katy Perry
3. “Walking the Dog” – fun.
4. “All Hail Dracula!” – Someone Still Loves You, Boris Yeltsin
5. “House of Cards” – Butch Walker
6. “Cold War” – Janelle Monae
7. “I Want To” – Best Coast
8. “Shutterbugg” – Big Boi
9. “Magic” – B.o.B.
10. “Love the Way You Lie” – Eminem

Happy 9/02/10! That’s right: Today is 90210 day! That’s right. It’s September 2, 2010, and it’s time to celebrate those crazy kids in California’s wealthiest zip code. Dylan McKay? Brandon Walsh? Yum-my. I won’t speak too much to the original teen primetime soap, as People does it best. Also, New York Mag. Win.

Regardless, last week I missed a Dunce Cap. I’m sorry, y’all. It was a week without wifi, and it was a week without music. Or, at least, chronicled and playlisted music.

But, alas, I’ve returned! It’s Labor Day weekend and the unofficial end of summer, so The Dunce Cap is back in full force with the ten best tracks of the summer. From Big Boi to B.o.B, these are ten tracks which have truly captivated my attention this summer. There’s the recently released Cee-Lo track, the ’60s girl group sweet sing-along kiss-off “Fuck You,” which is making me unceremoniously giddy. There’s the Someone Still Loves You vampire track from Let It Sway. There’s that infectious and delightfully irritating Katy Perry title track, “Teenage Dream.” There’s Butch Walker! There’s fun.! There’s Best Coast!

Hell, I’m feeling the heat in stereo.

Arguably, the last track on this mix, Eminem’s collaboration with Rihanna, “Love the Way You Lie,” doesn’t quite fit with the rest of this happy-go-lucky (if you can count Cee-Lo’s own “Since U Been Gone” anthem as such), but it’s been quite a force this summer and aligns the mix with my current state of emotion. By bookending this Dunce Cap with the aforementioned Cee-Lo and this Eminem track, it makes for a great summer sayonara to all of the boogie oogie feelings of a breakup.

What are your favorite tracks from summer 2010? Post ’em in the comments.

Happy listening.

P.S. I owe you a fair number of Third Year Thirties. Coming soon, hopefully.

Dunce Flash: Mikey Makes Good

in: the press

A portion of The Billboard Hot 100, July 13, 2010

In case you can’t quite read this, this little chart, courtesy of Billboard, puts Mike Posner‘s “Cooler Than Me” at #6. On the Billboard Hot 100. Nationwide. Nationwide. Can someone anyone please explain to me how this has occurred? Okay, look, I’ve gotten my shits n’ giggles dancing to a Posner live show. And I have listened to his mixtape (the first one especially) dozens upon dozens of times. And “Cooler Than Me” was and still is my favorite track from said mixtape. But, really? #6? It’s been on the charts 10 weeks, and I’ve heard the song in five states. And there was a blurb in Entertainment Weekly about the guy. How has this possibly happened? How did the underdog triumph?

Mike Posner

Now, don’t get me wrong. Posner’s talented. He released that first mixtape, “A Matter of Time,” from his dorm room at Duke when he was barely 21. He snagged a record deal and a degree, touring on the weekends (including a stint at Northwestern’s Dillo Day in May 2009). This summer, he played Bonnaroo and is slated to play every date on the Warped Tour (and, though a former Warped diehard myself, that’s not saying much), and he’s managed to make himself a household name on Top 40 radio.

But does he deserve it? I mean, there’s a lot to be said, surely, about whether or not the music on modern pop radio qualifies as “good” (and I, for the record, am in that pseudo-snobby camp that says it usually is not), but Posner doesn’t really seem to fit that mold. He’s catchy, certainly, with a certain kind of nerdiness that nearly passes as being cool. It’s the way he mixes his beats and throws down his rhymes, almost with hesitation, sheepish, uncertain. You know the Yahoo commercial currently airing with the extra-nerdy guy lip-synching to a poorly done quasi-rap song?
(editor’s note: forgive the author. that “poorly done quasi-rap song”? kanye. Yo Kanye, I’m really happy for you, I’ma let you finish, but Mike Posner has one of the best videos of all time!)

It reminds me of Posner every time.

I’ve embedded the original cut of Posner’s hit single, “Cooler Than Me” from his first mixtape, “A Matter of Time.”


Mike Posner, “Cooler Than Me” (A Matter of Time version)

What do you think?
Is Posner pretty fly for a white guy or just another white (c)rapper?

And a pretty insightful comment from Bebe:
who would have thought we’d see the day
when mike posner was at #6
and eminem is at #10

(editor’s note: jimmy brooks walked again. and made a killer – and wildly popular – album. i guess anything’s possible. cheers, posner.)

Book Club: May listening

in: on queue

So it should be abundantly clear by now that The Dunce Cap isn’t particularly well-versed in hip hop or rap. Every now and again, though, this girl will come across something so incredible in another genre that it deserves a dedication post. And so is the case with Eminem’s newest track.

Pretty melody:

Here’s the thing: I’ve always had an appreciation for Eminem, however peripheral. It started with my father, I would bet, who would belt out rather obnoxiously, “TWO TRAILER PARK GIRLS GO ‘ROUND THE OUTSIDE, ROUND THE OUTSIDE, ROUND THE OUTSIDE,” before gazing rather proudly upon us. Or he’d butcher the inspirational words of “Lose Yourself” as he piloted the car on family outings, and we had no choice but to listen and sigh. Plus, there were Em’s pretty hilarious videos for “The Real Slim Shady,” “Without Me” and “My Name Is.” That was my first real introduction to Eminem – a few misrepresented stanzas, a couple of funny but highly censored videos and a movie about poor Detroit starring that girl from Clueless (R.I.P. Brittany Murphy*). But there was so much more about Eminem that I was just missing.

Marshall Mathers is clearly a very talented lyricist, and he can spit rhymes so damn well, but he’s never put his talent to use, with the exception of hurling insults at his radio peers. And his last album, 2009’s Relapse, and the singles it spawned, the overwrought and (sorry!) melodramatic “Crack a Bottle” and the carnivalesque, trying-too-hard-to-be-tongue-in-cheek “We Made You” – the one where Slim Shady continues to cheese on Jessica Simpson and her pop culture ilk -, were a wash.

So now Eminem is back with Recovery, and the best thing about it all is that he agrees with me. Relapse sucked. On the album’s first track, “Not Afraid,” he angrily vows,

And to the fans, I’ll never let you down again, I’m back
I promise to never go back on that promise, in fact
Let’s be honest, that last Relapse CD was “ehhhh”

Pardon the language, but damn, Slim, you’ve got it right. And “Not Afraid” is a rowdy, raucous, emotional anthem set over a melody and beat which K’Naan would be proud of. It’s not Eminem at his best musically, sure, but lyrically, Slim has rarely been better. His rhymes are intense and sincere and here’s the kicker – they’re inspiring.


“Not Afraid,” Eminem

It’s an uplifting song of personal atonement, wherein Eminem unleashes all of his aggravation with addiction and struggles, praising his accomplishments and promising to come back bigger and better than ever before. He’s done with the skits and clever ploys, and he’s grown from his peers and even his contemporaries. Even Blink-182 had to grow up eventually.

It’s certainly a turn for the good ol’ browbeating Slim Shady MTV audiences grew familiar with, but it’s a refreshing reintroduction to a man with true talent. And, it seems, Eminem is approaching a real era of responsibility, as a father, as an MC, as a role model and as a true artist.

Shady’s back. Tell a friend.

For a glimpse at pop culture heckling Eminem, check out the hilarious 2004 D12/Eminem video for “My Band.”

[*editor’s note: Just minutes after publishing this post, it was discovered that Murphy’s widower, Simon Monjack, was pronounced dead in his Los Angeles home, just five months after the death of his wife. The immediate ruling as to cause of death is natural causes. Our condolences go out to the family.]