The Sunshine House, Or Musical Retirement

in: the grave

I like a lot of songs. And I just so happen to really, truly like a lot of bad songs. Glimpse my iPod on BART, or use the elliptical next to mine at the gym, and you’re sure to catch some fairly embarrassing things. I admit to still occasionally partaking in a little pop-punk (ask me about that rediscovery sometime) and even some pure ’60s sugar, and I find that, sometimes, the unsubstantial can be comforting. But not every song has redeeming qualities. Some are fraught with disquieting memories, and others are so bad they hit bad-good and simply wrapped back around. And those are the ones I’ve finally begun saying my good-byes to. That’s where my newest feature, The Sunshine House, comes into play.

The Sunshine House, which is a nod to the daycare center of the same overly cheery name, is my way of bidding songs a proper adieu. There are more than enough tracks to serve as proper fodder for this sort of feature, and I think it can make for fun, short entries.

To kick things off, I created a mix on 8tracks of twenty-five love songs that are ripe for retirement.

The Sunshine House Collective: track listing below (click on link to listen to mix via 8tracks)

I’ve spent about ten years composing calculated mix CDs for the boys for whom I harbor intense crushes, and I’ve learned there are only so many times Ben Gibbard can coo that he’ll follow me into the dark without it becoming insincere. Certain songs get old fast. Don’t get me wrong – I have intense relationships with a number of love songs, include these tracks I’ve included on The Sunshine House Collective, from “This is the Sweetest Little Song” by Butch Walker and the Let’s-Go-Out-Tonites to Wilco’s “I’m the Man Who Loves You.” And not all of these songs are bad or overwrought or overplayed, but love songs are a complicated sort. Like every girl shaped by cinema, I form unbreakable associations between people and songs, and so many of these tracks are forever tainted by these associations. “Treehouse” was Duck’s song, while “Thirteen,” “Sixteen, Maybe Less” and “First Day of My Life” were all about being sixteen and positively infatuated with the first boy I ever thought I loved. Some love songs are timeless; “Everlong” will never lose its luster, while the early Beatles pop songs will always perfectly describe the careful build-up of a love story. But some of these tracks can never be applied to another chapter in my romantic life. I’ve liked a lot of boys, and a lot of songs are headed to this musical graveyard, but, for now, we can get started with these twenty-five. Suffice to say, these tracks won’t be making any mixes for the foreseeable future.

The the line-up’s below. I can’t promise I’ll be back in full force just yet; I know I’ve been away a long time, but I’m sans computer currently, and it’s hard to promise regular blog posts without one. I am living in San Francisco currently, and that’s looking like a more permanent thing, so hopefully I’ll be able to carve out a more regular post schedule soon. But, for now:

The Sunshine House Collective:

  1. “Every Thug Needs A Lady” – Alkaline Trio
  2. “This Is The Sweetest Little Song” – Butch Walker & The Let’s-Go-Out-Tonites
  3. “The Tension and the Terror” – Straylight Run
  4. “The Scientist” – Coldplay
  5. “Mixtape” – Butch Walker
  6. “Intoxicating” – David Crowder Band
  7. “I’m A Fool” – American Hi-Fi
  8. “Thirteen” – Ben Kweller
  9. “16, Maybe Less” – Iron & Wine/ Calexico
  10. “I Will Follow You Into The Dark” – Death Cab For Cutie
  11. “Treehouse” – I’m From Barcelona
  12. “First Day of My Life” – Bright Eyes
  13. “This Year’s Love” – David Gray
  14. “The Luckiest” – Ben Folds
  15. “Calling You” – Blue October
  16. “Happy Together” – The Turtles
  17. “The Promise” – When In Rome
  18. “More Than a Feeling” – Boston
  19. “I Want You to Want Me” – Cheap Trick
  20. “Everytime We Touch” – Cascada
  21. “So Contagious” – Acceptance
  22. “Crash Into Me” – Dave Matthews Band
  23. “Oh, It’s Love” – hellogoodbye
  24. “I’m the Man Who Loves You” – Wilco
  25. “Beating Heart Baby” – Head Automatica

The Dunce Cap: Nov. 8, 2010

in: heavy rotation

 

1898 Photos of Toulouse-Lautrec

The Dunce Cap, Vol. 26: You can’t remember someone else’s story. (click on link to listen to mix via 8tracks)

1. “Basement Parties” – Matt Pond PA
2. “House Fire” – Someone Still Loves You, Boris Yeltsin
3. “Relator” – Pete Yorn & Scarlett Johansson
4. “No Time” – Good Old War
5. “How a Resurrection Feels” – The Hold Steady
6. “Microphone” – Coconut Records
7. “Borderline” – The Flaming Lips
8. “Dear Prudence” – The Beatles
9. “This Boy” – I’m From Barcelona
10. “Every Moment” – Rogue Wave

Look at this classy photo series! These are photographs of famed painter Henri Toulouse-Lautrec poopin’ on a public beach. So excellent. [Buzzfeed]

What do you mean funny, funny how?

Watching “Goodfellas” on a Monday night? So excellent. For class. Really. An essay examining the musical score of Scorsese’s film in relation to the use of popular music in “American Graffiti” and “Boogie Nights.” What a delicious assignment.

Yeah. That’s it.

But you know, I’m funny. You think I’m funny?

This is a series of ten exciting tracks I’m just lovin’. No specific reason for including any of them. Just lovable winners. Particularly The Flaming Lips cover of “Borderline.” I actually had a killer conversation this weekend about Wayne Coyne and the Lips (and their proclivity for adult themes masked beneath sing-songy childish melodies), so they’re certainly on my mind.

Oh, and P.S. Netflix clearly knows me too well. Four of my most recommended TV shows? “Freaks and Geeks,” “Wonderfalls,” “Daria” and “The Middleman.” By far four of my favorite recent-ish television shows. Check ’em all out if you haven’t.

I promise you – Real, live, excellent postings to come soon. Y’know, not just mixes. Insightful and snarky pop culture posts are on their way.

Happy listening.

Dunce Flash: Tuesday, August 17

in: the press

Eek – I haven’t been blogging regularly, as I’ve been on a bit of a chase, journalistically speaking. I’m building a mystery, y’all know? Anyway. So much has happened recently, and I’ve been AWOL. Here are a few things that have led to incredible excitement.

It’s getting hard to keep pretending I’m worth your time

I’m not going to lie. The just-released video for Yeasayer‘s single “Madder Red” is weird. It’s kooky and certainly off-kilter, but it’s also sweet and tender. The gorgeous Kristen Bell of Veronica Mars fame is the leading lady in this video, which New York mag’s Vulture blog calls “the touching story of a girl and her pet blob monster.” And they’re not kidding. The object of Bell’s affection isn’t cute or cuddly but rather totally grotesque and absurd. It looks a bit like the inside of a body, with an oozingly bloody facial cavity thing and piercing blue eyes.

The video, directed by Swede Andreas Nilsson (a long time music video man behind songs by Fever Ray, José González and one of my personal favorites, I’m From Barcelona’s “We’re From Barcelona”) is certainly a bit creepy but it’s also heartwrenching. Check it out below, and definitely give Yeasayer’s full album, the incredible Odd Blood, a listen. [NY Mag]

Let it Sway

Springfield, Missouri's Someone Still Loves You, Boris Yeltsin

I really must have been living under a rock these last few weeks. Someone Still Loves You, Boris Yeltsin – one of my absolute favorite bands – just released a brand new album today. Their third LP, Let it Sway, is joyous. I’ve been a huge SSLYBY fan since their inception and the release of their first album, Broom, and Let it Sway doesn’t disappoint – it is refreshing. It’s hook-laden with ooh’s, aah’s and ear-pleasing choruses, and the feel is ’90s powerpop, recalling Built to Spill or a softer, more sing-songy Camper Van Beethoven. It’s a record of good-feelings and, while not as stellar as Broom, it has its standouts. Check out the lead single and title track “Sink/Let it Sway” below or give a listen to the anthemic attention-grabber “Back in the Saddle.”

The album is out today via Polyvinyl. [Paste]

Someone Still Loves You, Boris Yeltsin, “Sink/Let it Sway”

Weezer loses sense of irony – and gains indie musicality

Weezer frontman Rivers Cuomo with album namesake

Weezer is going indie with their forthcoming eighth album Hurley. Rolling Stone reports the band will be channeling “Sixties pop” on the disc, to be released Sept. 14. The band isn’t merely changing their sound – they’re switching labels too. They’ve left their longtime label Geffen/Interscope and are seeking solace at California-based Epitaph, known for hosting bands such as Alkaline Trio (after their parting from Vagrant), Motion City Soundtrack and the Weakerthans. The album art, which Weezer also released last week, actually is a headshot of Lost character Hugo “Hurley” Reyes, portrayed by Jorge Garcia. I’m excited for their alleged return to indie. It’ll be a nice change of pace after the machine-like churning out of Top 40-ready records (though “(If You’re Wondering If I Want You To) I Want You To” was entirely charming, thanks in great part to producer and lyricist Butch Walker). I’m eager for Hurley – even despite the cheesy (cheeky?) and dated cover work. And despite the rather paltry attempt at a first single, “Memories.” [Rolling Stone]

And in other Weezer news – guitarist Brian Bell hinted in an interview at the Mile High Festival in Denver that the band would be touring in support of their pinnacle album, Pinkerton, which has reached cult classic status since its release in 1996. This one is personally near and dear to my heart. Pinkerton remains one of my absolute favorite albums, and the band is releasing a deluxe reissue of the record October 5 on Geffen. Keep your fingers – and toes! – crossed that Bell isn’t just merely being a tease. [MySpace music]

Weezer, “Memories” (the first single from Hurley)

The Dunce Cap: July 12, 2010

in: heavy rotation

Ralph Wiggum - Image courtesy of Fox

The Dunce Cap, Vol. 16: I’m a pop sensation! I’m a pop sensation! (mix via 8tracks)
^^Click the link to listen to the mix.

Names
1. “Jason Lee” – All Girl Summer Fun Band
2. “Michael” – Franz Ferdinand
3. “Ralph Wiggum” – The Bloodhound Gang
Cars
4. “Bitchin’ Camaro” – The Dead Milkmen
5. “El Caminos in the West” – Grandaddy
6. “Survival Car” – Fountains of Wayne
Colors
7. “Sixteen Blue” – The Replacements
8. “Everything is Green” – The Essex Green
9. “Red” – Elbow
Numbers
10. “Thirteen” – Big Star
11. “83” – John Mayer
12. “#27” – Marvelous 3
Places
13. “New York, New York” – Ryan Adams
14. “ATL” – Butch Walker
15. “Chicago at Night” – Spoon
Careers
16. “Rich Wife” – The Long Winters
17. “Heavy Metal Drummer” – Wilco
18. “Fred Jones, Pt. 2” – Ben Folds
Homes
19. “House of Books” – The Pop Project
20. “Treehouse” – I’m From Barcelona
21. “Love Shack” – The B52s

The Dunce Cap: June 7, 2010

in: heavy rotation

The geeks of Wet Hot American Summer

I hope it’s not jumbo shrimp, because I’m allergic to oxymorons!

The Dunce Cap, Vol. 11: So many foreign worlds, so ready for us. (mix via 8tracks)

1. “Close to Home” – The Get Up Kids
2. “Laid” – James
3. “No Diggity” – Klaxons
4. “Silvia” – Miike Snow
5. “Be My Baby” – The Ronettes
6. “Britney” – I’m From Barcelona
7. “Creature Fear” – Bon Iver
8. “Happiness” – Jonsi and Alex
9. “For Real” – Okkervil River
10. “Vanderlyle Crybaby Geeks” – The National

*BONUS TRACK: “The Geeks Get the Girls” – American Hi-Fi

The 2000s were, undeniably, the decade of the nerd. Sure, Duckie, Long Duk Dong and any character played by Anthony Michael Hall in a John Hughes flick had their fifteen minutes of fame, fortune and genuine female attention, but the aughts saw an unprecedented rise in the triumph of wallflowers in popular culture. There was the gang from Freaks and Geeks, led by John Francis Daley of Bones, who closed out the ’90s; Ugly Betty, Napoleon Dynamite, Seth Cohen and Ted Mosby (yes, the real Ted Mosby) all had their spots in the space-time continuum of geek lead triumph, but no ragtag troupe of amateur nerdlings captured my heart like the geeks of Wet Hot American Summer.

This is a mix inspired by these gems, by the caped kid cradling his 20-sided die, by The Cure Girl (called so in the credits of the film), by David Hyde Pierce‘s caustic Henry and all of the other kids who “like science.” They “save” their summer camp by diverting a rogue piece of Skylab, but the most earnest and touching part is that they discover friendship (this would warrant a trite vomit if it weren’t so hilariously choreographed by David Wain and Michaels Ian Black and Showalter). They form li’l bond to beat the summer camp blues, stargazing, plotting, commiserating and running from dodgeball. Together.

These are songs about unrequited love, homesickness, fear, Britney Spears and, of course, geeks. It’s dedicated to those freaks, geeks and Otis Redding-belting nerds who stole my heart and let me be their friend.

For now – I am jetsetting to the exotic town of Snellville, Ga., on Monday, but fret not – The Dunce Cap will prevail! I know I haven’t done June Book Club yet, so look out for that soon.

Now finish up them taters; I’m gonna go fondle my sweaters.

Happy listening.