paula cole

Book Club: Summer music

in: on queue

We’re two weeks away from summer, at least here at Northwestern, and yesterday the university’s famed Dillo Day marked the real start to summer celebrations. First up on The Dunce Cap’s music list: Guster, the midday artist at Dillo Day 2010. Guster performed alongside Regina Spektor, Super Mash Bros, Rhymefest and Nelly, who rounded out the day’s line-up.

Pretty melody:

Photo courtesy of NU student

See, my older sister got me into Guster six years ago. I’d listen to “Amsterdam,” from the band’s 2003 effort Keep It Together (or the one with the hummingbird on it), on repeat for days on end, and I’ve since fallen in love with their quirky lyricism and catchy hooks. The four nice Jewish boys from Tufts are known for their stage antics, wherein the members may pick up strange and unusual instruments, partake in witty stage banter or even participate in large-scale stage gags, such as a 2001 show in Rochester, NY, in which the guys were summoned to an empty stage “Price is Right” style. The members have paraded as a hillbilly opener (Peace Soldiers) and then as a jam band (Trippin’ Balls), and they continue to play hilarious covers, as with yesterday’s version of “Don’t Fear the Reaper,” an almost obvious epilogue to their own tune, “Red Oyster Cult.”

All in all, Guster remains one of my favorite bands, a constant tribute to summer, a theme The Dunce Cap seems a bit obsessed with. Check out “Two Points for Honesty” and “Amsterdam” below, and try to catch them out on the road this summer.

Congratulations on being the greatest looking place ever (existed). – Guster member on Northwestern’s Dillo Day crowd

“Two Points for Honesty,” from 2001’s Lost and Gone Forever

“Amsterdam,” from 2003’s Keep It Together

In other news: The use of Paula Cole’s “Where Have All the Cowboys Gone” as a torture device in the Star Wars-themed episode of “Family Guy” (“Something, Something, Something Dark Side“) was pretty upsetting. A hilarious but sad remembrance of one of my favorite songs from the ’90s.

The Dunce Cap: April 26, 2010

in: heavy rotation

Image courtesy of Buzz Sugar

The Dunce Cap, Vol. 5: And when the flowers grow, just know you’re still in my heart.
(mix via 8tracks)

  1. “Losing My Religion” – R.E.M.
  2. “Mr. Jones” – Counting Crows
  3. “Big Me” – Foo Fighters
  4. “Faded” – soulDecision
  5. “Why Don’t We Do it in the Road” – The Beatles
  6. “Closet” – Pete Yorn
  7. “Desperately Wanting” – Better Than Ezra
  8. “Far Away From Close” – Butch Walker
  9. “I Want to be Buried in Your Backyard” – Nightmare of You
  10. “Everyday I Write the Book” – Elvis Costello + The Attractions
    *Special bonus track for Foom!*
  11. “Where Have All the Cowboys Gone?” – Paula Cole

Hi kids, sorry this is so late. The Foom (a.k.a. Mother Keevan) was in Chicago for ΑΦ’s Mom’s Weekend, and I was a bit sidetracked from the usual posting. In lieu of a normal “what I’m listening to”-themed mix, I’ve opted for a trip down memory lane. My efficacy for musical knowledge comes from my mother, and, to celebrate both her visit and Mother’s Day, I’ve compiled this list of tracks – in chronological order! – of sing-a-longs from my youth, brought to you by the lady Foom.

The playlist begins with the heavy sounds of post-grunge R.E.M. and the lighter Counting Crows, followed by long hair, short ditty, late Nirvana/early Foo Fighters Dave Grohl and even the dirty, raucous pairing of soulDecision and The Beatles‘ “Why Don’t We Do it in the Road?” (the latter of which was a requisite Friday pick-me-up on local alternative station Z93/Dave-FM and thus the regular tune to my middle school mother-daughter carpools). There’s tracks I introduced to her, including the morosely sweet Nightmare of You single, and songs that tiptoe the line of exchange (anything Butch Walker, really). And, finally, I rounded off the smattering of songs with Paula Cole‘s “Where Have All the Cowboys Gone?,” a track clearly better than her saccharine “Dawson’s Creek” theme song and one I’d all but forgotten until this morning.

For the album art, I chose a picture of Sophia and Dorothy from “The Golden Girls” to depict the quirky mother-daughter relationship I share with my own mom. She’s a special lady, that one, not too different from Estelle Getty‘s kooky Sophia, casually-unfurled acerbic tongue.

So, to the Foom, an ode to the woman who gave birth to me and to a wonderful weekend with that crazy ol’ woman.

Don’t forget to wish your mother(s) a happy day, and happy listening!